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I’m super glad that we’re talking about this because I never do. I would love for you to start by talking about that shirt specifically, but then talk about putting together the costumes and things that might not be explicit props or pieces of the story, but that are sort of part of the world of the whole. Yeah, well, costume details, they’re important parts of the thing.
#MURDER SET PIECES JACKET MOVIE#
(Laughs)Īnd then at the end of the movie on her sister. It appears first at the beginning of the movie on the main character. There is a very specific unicorn shirt that appears twice, if I’m correct. I saw it back at Fantastic Fest and again a couple of days ago. This is the second time I’ve watched the movie. I wanted to start by talking about one very specific observation I had. Raw, which had its premiere in Critics’ Week at the 2016 Cannes Film Festival, is released in March from Focus Features. Ducournau goes for the jugular, both literal and metaphorical, and gets to have her (meat) cake and eat it, too.
![murder set pieces jacket murder set pieces jacket](https://pbs.twimg.com/media/Ddb7WnGV4AEJowA.jpg)
The world of the veterinary college, with its nonstop, bizarre hazing rituals and omnipresent farm animals, feels like another planet at times. When violence erupts, it’s never glamorous and always messy. She has an incredible eye for detail, constantly finding the surreal in the mundane. While Raw’s dreamy teen vibes, beautiful cinematography and electronic score might draw easy comparisons to indie-teen-scream It Follows, Ducournau’s film is a much more visceral, immediate experience. When the murders start happening, you might be shocked by the sisters’ actions, but you’re never against them. Like in all great horror, Raw’s sinister turns are the manifestations of an emotional truth. Like all siblings, they understand each other better than anyone else, simultaneously totally devoted and flippantly cruel. Marillier and Rumpf’s performances feel effortless, and their onscreen affection for each other is palpable. Raw is first and foremost their story, and the plot hinges entirely on whether or not their relationship is tearing itself apart or stitching itself back together. When mild-mannered vegetarian college freshman Justine (Garance Marillier) joins her older sister Alexia (Ella Rumpf) at veterinary school, she discovers an appetite for human flesh that she didn’t know she had. Julia Ducournau’s debut feature film Raw is an earnest, sincere work with a clean pop sensibility that also happens to be about cannibalism. In Directors, Features, Interviews, Issues